If you’ve never heard of “children of the moon,” then this beautiful and touching movie will teach you everything you need to know. While affected with a rare illness that causes severe illness upon direct exposure to sunlight, three Tunisian ladies discover to navigate life and live it to the fullest. In spite of their condition, the women defy all limitations and expectations while chasing their dreams.

All of these funnies suffered one significant problem – an absence of humour. Unlike 100 Faces, they had no sophistication, chemistry in between entertainers, engaging storytelling, and, many essential of all, compound. The laughs were forced, the writing lazy, and the characterisation as thin as a razor blade.

مسلسلات عربية showed that the liberties won in the Arab world – and particularly Egypt, house to MENA’s biggest entertainment industry – in the instant after-effects of the 2011 uprisings are now nothing but a distant memory. Federal governments have extended their control over the material of popular programs, as coverage of the area’s everyday truths has actually ended up being taboo, together with the long-established trinity of sex, faith and political dissent.

If you’ve never ever become aware of “kids of the moon,” then this stunning and touching film will teach you everything you require to understand. While affected with a rare disease that causes extreme disease upon exposure to sunshine, three Tunisian females discover to browse life and live it to the fullest. In spite of their condition, the females defy all limits and expectations while chasing their dreams.

Limitless examples of artworks expose how Arab regimes tame art– particularly tv drama– and turn it into a tool for sending political messages, mass mobilization, or venting social repression. This technique began decades back and continues to this day. Simply put, adopting the political visions and thoughts of the Arab regimes and prevailing them at the expense of drama’s visual worths and describing it as “commitment” is one factor behind Arab drama’ regression. It is not the other way around. Nowadays such a technique is outdated for an audience that delights in having modern-day interactions and social media.

History did not change in between the two television series. What altered was the political relationship between the two programs. In both cases, the political stance required drama to reflect the nature of those relations. By that, drama was a practical tool to reveal the general political mood of this or that regime. This is how Arab regimes understand “dedication”! In the light of this understanding, the appeals directed to Arab drama makers should be translated likewise. They disappear than requests to produce drama that embraces the prevailing political routines’ visions, especially after the “Arab Spring” transformations. Simply put, drama was become political orientation lectures played by stars to enter every home. Such a function was much better than asking the ruling party’s band secretaries to give boring speeches to their few advocates.

Ramadan is a time when we reflect on the things that matter. While seeing tv programs is not what everybody will deem a mode of reflection, there are insights to be obtained from investing a couple of hours in front of the small screen during the holy month. The most obvious is that the existing crop of dramas is ending up being progressively stale. With few exceptions, the complex morality tales that for a very long time were a hallmark of the Ramadan drama, are being changed by low-cost thrills.